
Zendaya and Timothée Chalamet in Denis Villeneuve’s ‘Dune’
In holdover news for Friday, Dune lost most of its prized IMAX and PLF screens to Eternals. As such, that it “only” dropped 54% on Friday ($2.25 million) is almost good. However, A) the numbers still aren’t that hot and B) almost everything else had much better holds compared to last Friday. Nonetheless, Denis Villeneuve’s sci-fi epic, which already has a sequel set for October 20, 2023, will gross around $7.1 million (-54%) in weekend three for an $83.5 million 17-day total. Barring an awards season revival, this one will still struggle to top $100 million domestic.
Daniel Craig and Jeffrey Wright in ‘No Time to Die’
No Time to Die earned another $1.72 million (-28%) on Friday for a likely $5.78 million (-25%) fifth-weekend gross, bringing its 31-day cume to $143 million. If it continues to hold as such (and there’s nothing else of its ilk between now and late-December), it might indeed end up on par (sans inflation) with Die Another Day ($160 million in 2002), Casino Royale ($167 million in 2006) and Quantum of Solace ($168 million in 2008). It has easily cleared the $616 million global cume of Casino Royale, making it the third-biggest 007 movie in raw worldwide grosses behind Spectre ($881 million) and Skyfall ($1.1 billion).
Tom Hardy as Eddie Brock in ‘Venom: Let There Be Carnage’
Sony’s Venom: Let There Be Carnage earned another $1.175 million (-27%) on its sixth Friday for a likely $4.22 million (-27%) weekend and $197 million cume. It’ll pass $200 million domestic sometime next week, with two out of three “pandemic-era” $200 million earners (alongside Shang-Chi and Bad Boys For Life) belonging to Sony. Spider-Man: No Way Home will be the third, so we’ll see if anything else (Enancto, Sing 2, Matrix 4, etc.) can join the club. The $110 million-budgeted sequel has cleared $400 million worldwide without a penny from China.
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Bill Murray, Wally Wolodarsky and Jeffrey Wright in THE FRENCH DISPATCH
The surprisingly good animated Ron’s Gone Wrong (a fine kid-friendly riff on how social media has replaced rather than supplemented conventional human-to-human relationships) earned $831,000 (-27%) for a likely $2.86 million (-24%) weekend and $16.8 million 17-day total. It’s a commercial flop for sure, but I’m glad it’s somewhat sticking around. Wes Anderson’s The French Dispatch earned $819,000 (-25%) on Friday for a likely $2.49 million (-4%) third-weekend gross and $8.36 million 17-day total. With a hold like that, even adding 400 theaters, it may at least reach the $17-$24 million likes of Rushmore and The Life Aquatic *if* it ends up in the Oscar race.
Laurie Strode (Jamie Lee Curtis) and Karen (Judy Greer) in Halloween Kills, directed by David Gordon … [+]
Halloween Kills dropped like a rock after Halloween. The slasher sequel earned $680,000 (-73%) on Friday for a $2.2 million (-75%) weekend and $89.5 million domestic cume. It’s not making it to $100 million domestic, but it’s still an unmitigated smash hit. Alas, last week’s newbies all dive-bombed. Antlers will earn $1.93 million (-55%) for a miserable $7.53 million ten-day cume, while Edgar Wright’s Last Night in Soho will earn $1.84 million (-56%) for a tragic $7.7 million ten-day total. My Hero Academia: World Heroes’ Mission grossed $450,000 (-85%) on Friday for a $1.51 million (-76%) weekend. Still, Funimation is more than fine with a $9.7 million ten-day cume for this anime import.