The provocative collage grasp delivers his most bold work but — and it’s pure hearth
🧠 Artist. Instigator. Innovator.
There are NFT artists, after which there’s Slimesunday — a reputation that’s turn into synonymous with provocative digital artwork, fearless storytelling, and boundary-pushing innovation. Identified for strolling the razor’s edge between expression and censorship, Slimesunday has constructed a profession out of asking exhausting questions in gentle locations — shiny magazines, polished platforms, and now, the hallowed halls of SuperRare’s Offline Gallery.
With Banned from New York, his newest and most bold solo exhibition, Slimesunday ascends to a brand new stage — an entire and uncompromising imaginative and prescient that fuses bodily works, NFTs, and immersive storytelling into one unflinching critique of recent censorship and artistic suppression. This isn’t only a present. It’s a press release. And arguably, his biggest creative achievement thus far.
🎤 From Banned to Beloved: The Rise of Slimesunday
Primarily based in Salem, Massachusetts, Slimesunday (Mike Parisella) made a reputation for himself by exploring themes too edgy for the mainstream. Whereas social platforms repeatedly buried, flagged, or shadowbanned his content material, audiences couldn’t get sufficient — his following exploded, and collectors rapidly acknowledged the cultural weight of his work.
His surreal and sometimes erotic collages have graced the pages of Playboy, Penthouse, Glamour, and Starvation, and he’s collaborated with main musical acts like Lana Del Rey, Beck, Katy Perry, J Balvin, and 3LAU, the place he serves as artwork director and co-creator of the audiovisual undertaking SSX3LAU.
Within the NFT area, Slimesunday ranks among the many top-earning crypto artists — not simply because his work is controversial, however as a result of it’s necessary. His items are as technically masterful as they’re thematically daring, pulling from digital nostalgia, glitch tradition, and uncooked human psychology. Whether or not you’re observing certainly one of his NFTs or strolling previous certainly one of his wheatpaste works in NYC, the affect is unmistakable.
🔥 Banned from New York: A Profession-Defining Exhibition
Slimesunday’s exhibition, introduced by SuperRare and Roger Dickerman, spans the total spectrum of his medium mastery — bodily sculptures, glitchy MP4s, wheatpaste panels, and digital-physical hybrids.
However what ties all of them collectively? A singular theme: visibility vs. management.
“They don’t need to ban you,” Slimesunday says. “They just make sure no one sees it.”
🌄 MS Paint (2024) – $18,000
A deeply private, bodily tribute to his first digital artwork instrument. The whole piece — carved in HDU and painted by hand — captures the precise palette and UI of Home windows 98, turning nostalgia into effective artwork.
💾 No Time to Kare & Winamp V6.9 – 5 ETH
Digital tapestries of damaged pixels, dithering, and previous discussion board power. These are animated reminiscences for the LimeWire era.
🗽 Woman Liberty – Public sale on July 31
A reimagined icon of freedom in a world of digital oppression. “Posting this hurts my reach,” he says. “But that’s why it matters.”
🌿 Weedman – $25,000
What began as glue, weed, and a Playboy advert grew to become a layered commentary on hashish, race, and incarceration. Backed by a $10,000 donation to the Final Prisoner Venture, it’s proof that Slimesunday doesn’t simply make noise — he backs it up.
⛪ Marked & Sunday Faculty Dropout – $14k–$15k
Two wheatpaste-on-wood items that problem faith, algorithms, and trendy dogma. Sunday Faculty Dropout was so controversial it was pulled from a previous gallery. Slimesunday didn’t flinch — he doubled down.
🟦 Squares Sequence (2024–2025)
Impressed by David Hockney, these deconstructed prints blur nudity, censorship, and composition into elegant chaos.
🌿 Roll Mannequin – 3 ETH
The start of Weedman in visible type. A chaotic, uncooked seize of the artist’s course of in its purest state.
💣 The Energy of the Provocateur
Slimesunday doesn’t simply touch upon censorship — he experiences it firsthand. Whether or not it’s being shadowbanned on Instagram, throttled by opaque algorithms, or reduce from a gallery last-minute, he has lived the strain that defines his work.
He’s not chasing likes. He’s chasing fact.
“Religion was the original algorithm,” he says. “Now the church is digital… and the priests wear Patagonia vests.”
This isn’t simply edgy rhetoric — it’s the lived expertise of an artist creating in a time when platforms, not individuals, determine what’s “acceptable.”
🖼️ The Offline Gallery: The place Digital Meets Actual
SuperRare’s Offline Gallery in NYC is the right venue. Greater than only a area, it’s a proving floor for NFT artwork’s cultural legitimacy. And with Roger Dickerman and 24 Hours of Artwork behind it, the platform is ready for this second to resonate past crypto — into the bigger cultural dialog.
🗓️ Hearth Chat with RD – July 31, 6–7PM
🖼️ Opening Reception – July 31, 7–9PM
🎤 Ultimate Ideas: This Is the Second
With Banned from New York, Slimesunday isn’t simply showcasing his finest work — he’s cementing his legacy. That is the fruits of years of resistance, experimentation, and uncooked, unfiltered creation.
This isn’t artwork that asks for approval. It dares you to look, to query, and to really feel.
And that’s precisely what makes it so highly effective.
TL;DR
Slimesunday’s Banned from New York exhibition is crucial work of his profession — a visceral, multidisciplinary exploration of censorship, nostalgia, and creative resistance. With backing from SuperRare and Roger Dickerman, this present blends bodily and digital mediums in a approach solely Slimesunday can, and solidifies his place as probably the most important artists within the NFT and digital artwork panorama.
